{"id":30,"date":"2013-09-12T02:36:01","date_gmt":"2013-09-12T02:36:01","guid":{"rendered":"http:\/\/www.inaudible-visions.net\/?page_id=30"},"modified":"2016-10-18T02:20:27","modified_gmt":"2016-10-18T02:20:27","slug":"participants","status":"publish","type":"page","link":"https:\/\/www.inaudible-visions.net\/?page_id=30","title":{"rendered":"Participants to the research"},"content":{"rendered":"<p><a href=\"#candusso\">Damian Candusso <\/a>| <a href=\"#choconta\">Carlos Choconta <\/a>| <a href=\"#heuzenroeder\">Tom Heuzenroeder <\/a>| <a href=\"#kassab\">John Kassab <\/a>| <a href=\"#kellow\">Markus Kellow <\/a>| <a href=\"#kitchener\">Evan Kitchener <\/a>| <a href=\"#leon\">Ben Leon <\/a>| <a href=\"#monk\">Roger Monk <\/a>| <a href=\"#vlad\">Ben Vlad <\/a>| <a href=\"#worthington\">Michael Worthington<\/a><\/p>\n<p><em><strong>Cinema sound designers<\/strong><\/em><\/p>\n<p><a name=\"candusso\"><\/a><strong>Damian Candusso<\/strong> is a multi-award winning sound designer with over 15 years industry experience in film, animation, games and music. Some of his recent credits include:\u00a0 Happy Feet 2, Sanctum, The Legend of the Guardians: The Owls of Ha\u2019Hoole, Daybreakers, Australia, and the 79th Academy Award winner for Best Animated Feature Film, Happy Feet. Other projects include To Catch a Fire, Candy, Little Fish and Anacondas. Currently Damian is a sound effects editor on the Baz Luhrmann\u2019s adaptation of The Great Gatsby.<br \/>\nDamian has been nominated for two Motion Picture Sound Editors Golden Reel Awards\u00a0 (U.S.A) for his work, including Australia, and again in 2007 for Happy Feet. He has worked on several Australian Film Institute (AFI) and Independent Film (IF) Award winning films, as well as being the winner of several Australian Screen Sound Guild (ASSG) awards.<br \/>\nIn 2002, Damian received the Centenary Medal for Contribution to Australian Culture for his work in the Australian film industry, an award presented by the Commonwealth of Australia, on behalf of Queen Elizabeth II. Damian has also been recognised by the City Of Los Angeles for his contribution to the Motion Picture Sound Editors Board of Directors, which he is the first ever Australian to serve.<br \/>\nRecent credits include<br \/>\n2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Great Gatsby (sound effects editor)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Happy Feet Two (sound effects editor)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sanctum (sound effects editor)<br \/>\n2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Legend of the Guardians: The Owls of Ga\u2019Hoole (sound effects editor)<br \/>\n2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Primal (sound effects editor)<br \/>\n2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Daybreakers (sound designer, sound effects editor)<br \/>\n2008\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Australia (sound effects editor)<\/p>\n<p>In 2008, <a name=\"choconta\"><\/a> <strong>Carlos Choconta<\/strong> started his career in film sound by being a Boom operator &amp; Sound Recordist for short films during his studies in Audio, Acoustics and Illumination Design at The University of Sydney. At the same time he took the opportunity to work on the audio post production for several of those projects. In 2010 he was part of the crew in the romantic comedy Up The Aisle and his work was extended to post production covering ADR, Foley and Sound Design. He was also involved in the production of the drama Brush (SoundRecordist\/Boom Op) and the audio post for the feature film Horizons Crossing (Audio Editing\/Sound Design). In 2011 he contributed to the feature films Sleeping Warrior (Boom Op), Suppose The Night (Boom Op\/Sound Recordist) and the documentary Strategies of Survival from Below (Audio Editor). In 2012 he worked as an acoustic consultant for TTM Group and is always looking to apply his numerous skills on new projects.<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Missing Pieces (post production sound)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Deadside (series) (sound recordist)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Are you serious? (sound mixer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Decline (sound recordist)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Promise (sound recordist)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Precognition (sound recordist)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Are You For Real, Santa? (sound designer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strategies of Survival from below (audio editor)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Suppose The Night (Taste Like Sugar) (feature) (sound mixer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Brush (feature) (sound recordist)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Are you Serious (short) (boom operator, sound mixer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Equilateral (sound recordist)<br \/>\n2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Up the aisle (feature) (sound recordist)<\/p>\n<p>Since 1995 <a name=\"heuzenroeder\"><\/a><strong>Tom Heuzenroeder<\/strong> has worked as a sound designer for film and television, both in Australia and abroad. In 2006, he received an AFI award for his sound design work on Ten Canoes by Rolf de Heer. Tom has also been nominated for a Primetime Emmy Award for Glass: A Portrait Of Philip In Twelve Parts by Scott Hicks. Recently, Tom has worked with a facility in Wales (U.K), sound editing for Doctor Who. Other credits include:<\/p>\n<p>2016\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ali&#8217;s Wedding (sound designer) \/ (supervising sound editor)<\/p>\n<p>2016\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Boys in the Trees (sound designer)<\/p>\n<p>2016\/\u00a0\u00a0\u00a0\u00a0 Embrace (Documentary) (additional sound editor) \/ (sound recordist)<\/p>\n<p>2016\/\u00a0\u00a0\u00a0\u00a0 The Darkness (sound effects editor)<\/p>\n<p>2016\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wolf Creek (TV Mini-Series) (sound effects editor &#8211; 4 episodes)<\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Girl Asleep (additional sound editor)<\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Michelle&#8217;s Story (Documentary short) (sound designer)<\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Highly Strung (Documentary) (sound designer) \/ (sound effects editor)<\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A Month of Sundays (sound editor: sound designer)<\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The New Adventures of Figaro Pho (TV Series) (sound designer)<\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Another Country (Documentary) (sound designer)<\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Force of Destiny (re-recording mixer) \/ (sound designer) \/ (sound editor)<\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bluey (Short) (re-recording mixer) \/ (sound editor)<\/p>\n<p>2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Agony of Ecstasy (TV Movie documentary) (re-recording mixer)<\/p>\n<p>2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 One Eyed Girl (sound designer)<\/p>\n<p>2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anzac Girls (TV Mini-Series) (supervising sound editor &#8211; 6 episodes)<\/p>\n<p>2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 My Long Neck (Documentary) (sound mixer)<\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Darkside (sound effects editor)<\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 52 Tuesdays (additional sound design)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Storm Surfers 3D (documentary) (sound effects editor)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The King Is Dead (sound designer)<br \/>\n2011-2012\u00a0\u00a0\u00a0\u00a0\u00a0 Danger 5 (TV series) (sound re-recording mixer \u2013 7 episodes)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wish You Were Here (foley editor)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shirley (TV movie) (additional ADR recordist \u2013 uncredited)<br \/>\n2011\/IV\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Hunter (sound effects editor)<br \/>\n2011\/II\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Palace (short) (sound designer, sound editor)<br \/>\n2011\/I\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Collision (short) (sound effects editor)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shut Up Little Man! An Audio Misadventure (documentary) (sound effects editor)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Le mec id\u00e9al (sound re-recording mixer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Dragon Pearl (sound effects editor)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Life in Movement (documentary) (sound editor)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stunt Love (documentary short) (sound effects editor)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Red Dog (sound effects recordist \u2013 uncredited)<br \/>\n2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cropped (short) (sound designer, sound re-recording mixer)<br \/>\n2100\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 P.O.V. (TV documentary) (sound designer \u2013 sound editor \u2013 sound re-recording mixer)<br \/>\n2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Salt (sound designer, sound editor, sound re-recording mixer)<br \/>\n2010\/II\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Kiss (short) (sound designer, sound re-recording mixer)<\/p>\n<p>Since 2007, <a name=\"kassab\"><\/a><strong>John Kassab<\/strong> has been working as sound designer, re-recording mixer and sound editor on shorts, documentaries and animation. In 2010, John received a Winston Churchill Fellowship for his research project \u2018The State of Post-Production Film Sound\u2019.<br \/>\nSome of his professional awards are:<br \/>\n2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Australian Screen Sound Guild, Best Achievement in Sound for The Lost Thing<br \/>\n2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Australian Screen Sound Guild, Nominated for Best Sound for Deeper Than Yesterday<br \/>\n2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Australian Screen Sound Guild, Best Achievement in Sound for The Distance Between.<br \/>\n2008\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Australian Screen Sound Guild, Best Achievement in Sound for Monkeynaut.<br \/>\nCredits include:<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Playpals (short) (sound designer) (completed)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The End (short) (sound designer)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Tortoise (short) (sound designer)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mindseye (short) (sound designer)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Full Circle (short) (sound designer)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cabbit (short) (sound designer)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 KIN (short) (sound designer)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vessel (short) (co-supervising sound designer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Oscar Winner Short Films Animation The Lost Thing (sound designer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Childhood of a Circle (short) (sound designer, sound mixer)<br \/>\n2011\/I\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Closing In (short) (sound designer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Husband, Father, Son (short) (sound designer, sound mixer)<\/p>\n<p>For over 20 years <a name=\"kellow\"><\/a> <strong>Markus Kellow<\/strong> has been working as a sound designer, sound editor, sound supervisor, Foley artist and composer. Markus Kellow began piano lessons at age 8 and composing at 12, soon developing a love for the visual arts. While working in rock bands in the \u201990s, Markus has practised all aspects of audio and film-making including set design. In addition to his freelance work, Markus lectures on sound design at RMIT, and recently completed a bachelor of arts there, creating an award winning short film in the process.<br \/>\nHe has won awards for sound design, dialogue editing and audio mixing. Markus won an award at the Australian Screen Sound Guild (2009, shared with Doron Kippen). Markus enjoys blurring the division between the musical and non-musical in order that the combined harmonics of music, dialogue and sfx become one in an emotional sense. He feels that all sound is harmonic and that this attribute can be used to help guide the audience and enhance storytelling.<br \/>\nRecent credits include:<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Forget the Noise (short) (dialogue editor, sound designer, sound mixer)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Not Drowning, Waving (short) (sound effects editor)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Game (short) (sound designer, sound mixer)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bino (short) (foley artist, sound designer)<br \/>\n2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Core Competencies (short) (boom operator, sound editor, sound mixer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bonegilla (short) (sound designer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Sleep of Reason (short) (sound production)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Applicant (short) (sound designer, sound mixer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rex Arena (short) (sound designer, sound mixer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pinball (short) (sound editor, sound mixer, sound recordist)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Two Guys in a Backyard (short) (sound designer, sound mixer)<\/p>\n<p>Since 2009, <a name=\"kitchener\"><\/a><strong>Evan Kitchener<\/strong> has worked as worked in many capacities on TV series, and feature-length videos.<br \/>\nAfter studying audio engineering at RMIT, Evan Kitchener focused his skills to work in the medium of film as a Sound Designer and Composer. Apart from his long time association with the Dank Films\/Southside Productions house responsible for the dark features Bad Habits (2007-2009) and Burlesque (2010). His feature credits also include the horror zombie comedy From Parts Unknown (2012), Asian pop-culture story Citizen Jia Li (2011), Infinite Shades Of Grey (2011) as well as a score of other Australian films, musicals, documentaries, TV and games. He is currently working on the musical score and sound design for his latest collaboration with the Dank Films\/Southside Productions house Only The Young Die Good, a black and white Noir thriller.<br \/>\n2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Last Night (sound editor, sound mixer)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Infinite Shades of Grey (sound recordist)<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Citizen Jia Li (sound editor)<br \/>\n2010\/II\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Burlesque (sound recordist and music composer)<br \/>\n2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bad Habits (ADR,mixer, sound effects editor, sound recordist and music composer)<br \/>\nOver the past few years Ben Vlad has been working on TV series as sound editor, sound mixer, sound designer and sound effect editor.<\/p>\n<p><a name=\"vlad\"><\/a><strong>Ben Vlad<\/strong>\u2019s credits include:<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sinbad and the Minotaur (TV movie) (sound editor, sound mixer)<br \/>\n2009-2010\u00a0\u00a0\u00a0\u00a0\u00a0 K9 (TV series) (sound designer<br \/>\n2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beauty and the Beast (sound mixer)<br \/>\n2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Regeneration (sound designer, sound mixer)<br \/>\n2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Leader of the Pack (short) (sound)<br \/>\n2008\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 FarmKids (TV series) (post-production, sound effects editor, all 11 episodes)<\/p>\n<p><a name=\"worthington\"><\/a><strong>Michael Worthington<\/strong> has been working as sound designer, sound editor, sound supervisor and Foley artist on features, documentaries and TV series.<br \/>\nMichael Worthington owns and operates Soundworthy, a music mastering and film sound studio in the Byron Bay hinterland. Over the last twenty years Michael has honed his art at various locations, Recording, Mixing and Mastering. most notably as Mastering Engineer at Rockinghorse Studios, Byron Bay, and working from his home studio,<br \/>\nHaving a love for Cinema and Film, Michael focused his interest on surround sound in the mid \u201990s, experimenting with, and researching industry practices in, surround sound in both film and music.\u00a0 Michael\u2019s talent has attracted composers and directors to engage him into sound design and 5.1 mixing from across the globe, a combination of creative elements Michael refers to as Surround Design.<br \/>\nRecent credits include:<br \/>\n2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wrath (sound designer: Soundworthy, sound mixer)<br \/>\n2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Grief, India, Finn &amp; I (video documentary short) (sound editor, sound mixer)<br \/>\n2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Collective Moments of Madness (documentary) (sound editor, sound mixer)<br \/>\n2007\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mu (short) (sound re-recording mixer)<br \/>\n2006\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Whaledreamers (documentary) (additional surround sound mixer and designer)<\/p>\n<p><em><strong>script writer<\/strong><\/em><\/p>\n<p><a name=\"monk\"><\/a><strong>Roger Monk<\/strong> wrote the feature film Walking On Water (2002) the most nominated Australian film of 2002, winning the Australian Film Institute, Independent Film and Critics Circle awards for best script along with the Teddy award and Siegessaule prize at the 2002 Berlin Film Festival.<br \/>\nRoger was co-creator, writer and associate producer of TV series of East of Everything for ABC TV (2009\/10). Roger wrote for Dance Academy (2010) and The Secret Life of Us (2003) and was short listed for the 2004 Queensland Premiers Literary awards for the TV series Love Bytes (Fox Aust &amp; UK Shine).\u00a0 In 2007, Roger attended Binger Film lab in Amsterdam with the feature project Dance For Me.\u00a0 The drama\/thriller set in Johannesburg was also selected for Aurora in 2010.<br \/>\nRoger Monk is currently head writer for ABC3\u2032s new young adult series Lost Boys for Matchbox Pictures. Roger is also in development with a romantic comedy feature film Romeo &amp; Cheryl, which has been supported by a Film Victoria\u2019s Writer\u2019s Fellowship.<\/p>\n<p><em><strong>storyboard artist<\/strong><\/em><\/p>\n<p><a name=\"leon\"><\/a><strong>Benjamin Leon<\/strong> is a graphic illustrator who produces visuals for marketing industries and advertising agencies.<br \/>\nBenjamin is also a trained storyboard artist.<\/p>\n<p><a href=\"#candusso\">Damian Candusso <\/a>| <a href=\"#choconta\">Carlos Choconta <\/a>| <a href=\"heuzenroeder\">Tom Heuzenroeder <\/a>| <a href=\"#kassab\">John Kassab <\/a>| <a href=\"#kellow\">Markus Kellow <\/a>| <a href=\"#kitchener\">Evan Kitchener <\/a>| <a href=\"#leon\">Ben Leon <\/a>| <a href=\"#monk\">Roger Monk <\/a>| <a href=\"#vlad\">Ben Vlad <\/a>| <a href=\"#worthington\">Michael Worthington<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Damian Candusso | Carlos Choconta | Tom Heuzenroeder | John Kassab | Markus Kellow | Evan Kitchener | Ben Leon | Roger Monk | Ben Vlad | Michael Worthington Cinema sound designers Damian Candusso is a multi-award winning sound designer with over 15 years industry experience in film, animation, games and music. Some of his&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":15,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-30","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.inaudible-visions.net\/index.php?rest_route=\/wp\/v2\/pages\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.inaudible-visions.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.inaudible-visions.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.inaudible-visions.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.inaudible-visions.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30"}],"version-history":[{"count":15,"href":"https:\/\/www.inaudible-visions.net\/index.php?rest_route=\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":212,"href":"https:\/\/www.inaudible-visions.net\/index.php?rest_route=\/wp\/v2\/pages\/30\/revisions\/212"}],"up":[{"embeddable":true,"href":"https:\/\/www.inaudible-visions.net\/index.php?rest_route=\/wp\/v2\/pages\/15"}],"wp:attachment":[{"href":"https:\/\/www.inaudible-visions.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}